If I do this, I'll have the time to get to everything that needs done. But that silly guaranteed-paycheck day job is in the way . . .
That being said, I've got $7 on Borders going out of business in or by August. (Last week it was $5--then I learned how close we came to going under at the end of last quarter.) We're not getting in a lot of titles again, just like we were when we didn't have credit or funds to buy books from the publishers . . . We've got bargain everywhere, trying to lure in the cheap people with non-returnables and remainders no one wanted to begin with . . . We've got empty shelves left and right, and stores that've been hit by Project Phoenix don't even have the hours to get new releases out of pallets and onto the floor . . . And then the head of Pershing, the company that owns 40% of our stocks and is in charge of our one $42.5 million loan, seems to think that we're really, really aiming towards something we're not.
Hope Otakon goes well enough to cover the expected forthcoming holes in my finances. Stock-wise, I'm almost back up to where I was for ANext. Two more weeks' hard crunchwork should get me up to a decent level. I hope.
I think I shall stab the next person who asks me if this is made of "pop tabs." (Though the last person to ask me seemed borderline-illiterate--I stood an aisle away from her today at work and listened to her painful attempts at pronouncing titles, and I felt sad for her.)

Reading China Mieville's The City & The City, and remembering how much I missed the thinking person's fantasy as opposed to the straightforward popcorn reads. While it's a little dry and the characterization doesn't really stand out in any way, it's very intelligently written and the worldbuilding's fascinating enough to help drive the narrative forward & keep my attention. I'm about a third of the way through and thus far I like it. :)
I have an ARC and might be persuaded to let it go once I'm finished. :)
That being said, I've got $7 on Borders going out of business in or by August. (Last week it was $5--then I learned how close we came to going under at the end of last quarter.) We're not getting in a lot of titles again, just like we were when we didn't have credit or funds to buy books from the publishers . . . We've got bargain everywhere, trying to lure in the cheap people with non-returnables and remainders no one wanted to begin with . . . We've got empty shelves left and right, and stores that've been hit by Project Phoenix don't even have the hours to get new releases out of pallets and onto the floor . . . And then the head of Pershing, the company that owns 40% of our stocks and is in charge of our one $42.5 million loan, seems to think that we're really, really aiming towards something we're not.
- The business model of book superstores, however, is likely to change over time from primarily bookstores to merchants of a wider variety of products and services which are designed to appeal to the higher-income educated consumer that, on average, spends an hour or more in a book superstore.
Hope Otakon goes well enough to cover the expected forthcoming holes in my finances. Stock-wise, I'm almost back up to where I was for ANext. Two more weeks' hard crunchwork should get me up to a decent level. I hope.
I think I shall stab the next person who asks me if this is made of "pop tabs." (Though the last person to ask me seemed borderline-illiterate--I stood an aisle away from her today at work and listened to her painful attempts at pronouncing titles, and I felt sad for her.)

Reading China Mieville's The City & The City, and remembering how much I missed the thinking person's fantasy as opposed to the straightforward popcorn reads. While it's a little dry and the characterization doesn't really stand out in any way, it's very intelligently written and the worldbuilding's fascinating enough to help drive the narrative forward & keep my attention. I'm about a third of the way through and thus far I like it. :)
I have an ARC and might be persuaded to let it go once I'm finished. :)